
Camera · Szeged, Hungary · Born June 16, 1930
Vilmos Zsigmond (June 16, 1930 - January 1, 2016) was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Zsigmond worked frequently with many leading American directors, such as Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino and Woody Allen.
MovieBlood & Flesh: The Reel Life & Ghastly Death of Al Adamson
2019
MovieSpielberg
2017
as Self
MovieClose Encounters with Vilmos Zsigmond
2016
as Self
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
2012
as Self
MovieSide by Side
2012
as Self
MovieWoody Allen: A Documentary
2011
as Self
MovieA Cinematic Life: The Art and Influence of Conrad Hall
2010
as Self
MovieLouis
2010
as Hungarian Photographer
MovieNo Subtitles Necessary: Laszlo & Vilmos
2009
as Self
MovieWho Needs Sleep?
2006
as Self
MovieFinal Cut: The Making and Unmaking of Heaven's Gate
2004
as Self
MovieZ Channel: A Magnificent Obsession
2004
as Self
Imagining Images
2003
as Self
MovieWho Killed 'Winter Kills'?
2003
as Self
MovieEasy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
2003
as Self
MovieReturn of the "Hired Hand"
2003
as Himself
MovieVilmos Zsigmond Flashes 'The Long Goodbye'
2002
as Self
MovieCharacter Building: Inside 'Life As a House'
2002
as Self
Movie'Obsession' Revisited
2001
as Self
MovieThe Making of 'Close Encounters of the Third Kind'
2001
as Self
MovieLight Keeps Me Company
2000
as Self
MovieAltman on His Own Terms
2000
as Self
MovieBig Guns Talk: The Story of the Western
1997
as Self
MovieMaverick
1994
as Albert Bierstadt
MovieVisions of Light
1992
as Self
TVThe Oscars
1953
as Self