A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
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Gabino Rodríguez
Hombre con peluca / Narrador
Luisa Pardo
Mujer en cuarto de hotel / Mujer con peluca
Francisco Barreiro
Hombre a quien le roban la motocicleta
José Rodríguez López
Hombre que maneja camioneta roja
Teresa Sánchez
Mujer que atiende en el bar
Fernando Álvarez Rebeil
Hijo del dueño de la mina / Ladrón de motocicleta
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